Albano Hernández

Emanating from pictorial thoughts and based mainly on ceramic works, Albano Hernández’s practice has a trans-categorical condition. His day-to-day is a constant game of dichotomies where a labour- intensive practice is mixed with industrial processes, undoing is as important as making, and impurity is as substantial as purity. In these processes, he follows a circular economy policy that allows him to reduce the amount of waste generated, establish dialogues between different works, and generate...Read more