Oscillating between abstraction and figuration, the understated works of Andreas Eriksson shift between paintings, drawings, prints, photographs, and sculptures. Heavily influenced by his immediate locality, Eriksson lives in a forested bank of Lake Vänern, Sweden, with remnants and markers of this landscape populating his oeuvre. Organic forms such as leaves, stars and mountains reappear, abstracted, collaged, and often fragmented.  The works are fragile in tone, laying testament to the intimacy between the artist and this landscape, whilst also speaking to the wider vulnerability of this oasis amidst contemporary planetary conditions. Eriksson cites Edvard Munch and Albert Oehlen as key references, which is readily tangible in the poetic sensibility of his work.

Cahiers d'Art

Carnegie Art Award

Baloise Art Prize

Sao Paolo Biennial

São Paulo

Venice Biennial

Venice

Genève

Pace Gallery

Madrid

Galería Elba Benítez

Berlin

Neugerriemschneider

London

Stephen Friedman Gallery

Reykjavík

I8 Gallery

Paris

Seoul

Hakgojae Gallery

Tampere

Sara Hilden Art Museum

Sammlung Boros

Mänttä-Vilppula

Serlachius Museot

Stockholm

Moderna Museet

Vienna

Mumok - Museum Moderner Kunst Wien

Musée D'Art Moderne De Paris

Köln

Braunsfelder

Michel Majerus Estate

Andreas Eriksson

Mono Cave III

Portrait of Ingemar Bergman

The Moons and the Suns

Chimney view

Landslide