Chilean printmaker, painter, draughtsman and video artist Eugenio Dittborn has been creating what he terms ‘Airmail Paintings’ for the past four decades. These works, executed on brown paper, cotton duck or non-woven fabric, comprise found images originating from various media, such as books and magazines. Dittborn sees his appropriation as a means of ‘completing the visibility’; disseminating ‘lost’ images – perhaps only viewed for a few seconds when one is flicking through a magazine – through their postage and elevation into the gallery. The artist considers the folds in the paintings, made to fit the works into envelopes, as the contours of their passage, the lines on maps, and the ‘traces of the cultural and political landscapes through which they travel.’

Santiago

Sao Paolo Biennial

São Paulo

Gwangju Biennial

Gwangju

Documenta

Kassel

The Biennale of Sydney

Sydney

Basel

Art Basel

New York City

Henrique Faria

Houston

Sicardi Ayers Bacino

Berlin

Birmingham

Ikon Gallery

San Diego

Museum of Contemporary Art San Diego

Moscow

Moscow Museum of Modern Art

Chicago

Mca Chicago

Paris

Fondation Louis Vuitton

Miami

Cisneros Fontanals Art Foundation (Cifo)

Fondation Cartier Pour L'Art Contemporain

London

ICA London

Boston

Ica Boston

Badajoz

Meiac - Museo Extremeño E Iberoamericano De Arte Contemporáneo

Vigo

Marco - Museo D’Arte Contemporanea Di Vigo

Porto

Serralves Museum

Valencia

Instituto Valencia De Arte Moderno - Ivam

MoMA

Philadelphia

Ica Philadelphia

Las Palmas de Gran Canaria

Centro Atlántico De Arte Moderno - Caam

Austin

Blanton Museum of Art

Ottawa

National Gallery of Canada

Brisbane

Institute of Modern Art - Ima

Goldsmiths CCA

Eugenio Dittborn

For Details,  The Bristles of The Brushes

Coudre Provisoirement a Long Points

Where Everything is Twice

27th History of the Human Face (Lejía)

Corche

Heráldica

Pieta (6+3+206)

The 18th History of the Human Face (Eyes of Glory)

To Return (YVR)

To Travel

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