The work of Hugo Servanin revolves around the creation of sculptures that the artist calls Géants [Giants]: hybrid beings that are first moulded on human bodies and then assembled with an array of synthetic materials. Referencing the aesthetics of classical sculpture – busts or naked bodies displayed on plinths – Servanin’s Géants express the visceral, fragile and ephemeral nature of human bodies. These characteristics are conveyed through the minute study of the bodies’ armatures and an empirical approach of materials. Once his sculptures are shaped, Servanin composes immersive installations in which, using a wide range of advanced technologies and artificial intelligence, he attempts to recreate the conditions of organic life. Acting like a scientist in his laboratory, Servanin is constantly inventing new methods to animate his sculptures; for instance, by using humidification/evaporation procedures which progressively modify their shape and surface colour; heat monitoring incubators that crackle their epidermis; ventilators that make them breathe; or complex mechanical systems distributing their body fluids. By bridging traditions of ‘good form’ with cutting-edge technologies, Servanin composes alternative environments through which he critically analyses the success and failure of the cornucopian civilization we live in.

NiCOLETTi

Paris

Basel

Liste Art Fair

Andréhn-Schiptjenko

Jérôme Poggi

Beijing

Galerie Paris Beijing

Lisbon

Cristina Guerra Contemporary Art

Double Séjour

Villa Belleville

Magician Space

London

Annka Kultys Gallery

Pantin

Magasins généraux

Rome

Villa Medici

Hugo Servanin

Ensad (Ecole Nationale Supérieure Des Arts Décoratifs)

Géant #23

Object 20

Giant 31

Giant 40

Object 17

Giant 38

Media #2