Born in 1979, Jean-Charles de Quillacq studied at ENSBA Lyon and at Weißensee Kunsthochschule Berlin. He lives in Sussac, Limousin and Zürich, Switzerland.Jean-Charles de Quillacq develops sets of sculptures that are both conceptual and fetishistic. He often shows them by inviting other people to take charge of exhibiting them, accepting a certain loss of control over the potential deviations that these collaborations could cause.Since 2011, when he was a resident at the Rijksakademie in Amsterdam, Jean-Charles de Quillacq has been working with epoxy resin, which he tirelessly kneads like a “psychological material”. He mixes it with other substances like nicotine, urine or Viagra, or blows blue ink from ballpoint pens into it. This demanding mouth-work underscores the performative aspect and the orality in a practice that has given rise to several performances: Le Remplaçantand L’Imitation par les larmes at Les Ateliers de Rennes (2018), Faire Elle at Triangle France (cur. Lotte Arndt and Marie de Gaulejac, 2018), and Fraternité Passivité Bienvenue at the Palais de Tokyo (cur. Jean-Christophe Arcos and Vittoria Matarrese, 2016).Quillacq has also participated in several group exhibitions, including “Humainnonhumain” at the Fondation d’entreprise Ricard (cur. Anne Bonnin, 2014), “L’Après-midi” at Villa Arson, which dedicated a short monograph to his work (Mes mains dans tes chaussures, 2015), “À Cris Ouverts”, the Rennes Biennial (cur. Etienne Bernard and Céline Kopp, 2018) and “Future, ancient, fugitive”at the Palais de Tokyo (cur. Franck Balland, Daria de Beauvais, Adélaïde Blanc and Claire Moulène, 2019). His work has also beenshown in solo exhibitions, including“Ma sis t’aime reproductive”,atart3(Valence, 2021),“Ma système reproductive” at Bétonsalon (cur. Mélanie Bouteloup and Lucas Morin, 2019), “My Tongue Does This to Me”, with Hedwig Houben at La Galerie in Noisy-le-Sec (cur. Emilie Renard, 2018), “Getting a Younger Sister, Thinking to Myself” at the Swiss Art Awards, where he was one of the winners (Basel, 2017), “Je t’embrasse tous”and “Autofonction”both atMarcelle Alix gallery (Paris, 2016and 2020), and “Four Works in a Rectangle”, Rote Fabrik (Zurich, 2012).He is currently a resident at Villa Medici in Rome.

Marcelle Alix

Zürich

Swiss Art Awards

Berlin

Klemm'S

Paris

London

Rod Barton

Luxembourg

Musee d'Art Moderne Grand Duc Jean

Vitry-sur-Seine

Musée D'Art Contemporain Du Val-De-Marne

Musée D'Art Moderne De Paris

Helmhaus Zürich

Frac Île-de-France Le Plateau

Palais De Tokyo

Nice

Villa Arson

Fondation d'entreprise Pernod Ricard

Bétonsalon

Casino Luxembourg - Forum D'Art Contemporain

Rennes

FRAC Bretagne

Caen

Frac Normandie Caen

Bordeaux

Frac Nouvelle-Aquitaine MÉCA

Noisy-le-Sec

La Galerie - centre d’art contemporain

Kunsthaus Zürich

Jean-Charles de Quillacq

Rome

Villa Medicis

Marseille

Triangle Marseille

Cher Dimwit

Dimwit

Mon Dimwit

Pros

I try my tongue

La même homosexuelle que la fois d'avant

Mon père en swimmer

Ouverte (Pialat sous Price)