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Marie Gyger


Gyger’s peculiar economy of means and the poor materiality of the work address the frequently absurd overproduction in contemporary art to which she reacts as an artist by developing her light and recyclable paper-folding technique. Several of the works on view were made last summer in her former Paris studio, have since been recycled, and now re-created for the current exhibition. This is an intentional rupture with logistical burdens, ownership, paper trails, and all the questions behind them....Read more