Mehmet Ali Uysal creates large scale installations that are integrated into the material of the building they are situated in, transforming the venue and altering both the viewer's perception of the space as well as how they move around it. Today, the process of creating, exhibiting, and perceiving contemporary art is deeply intertwined with the austere, white walled gallery space that continuously erases traces of its history to look perfect and untouched. Uysal wants to invert this tradition and revive the gallery space as a living entity by interfering directly with the structure of the white cube and deconstructing both its formal characteristics and inherited traditions.

Uysal's recent Peel series creates the illusion that the claddings of a gallery's walls have become like the skin of a dissected body that is malleable enough to be pinched, ripped and torn off. In other recent work, he takes other common facets of the gallery space and similarly turns them from architectural limitations into the material, form, and content of the work that is the focus of attention. In Suspended, picture frames, which traditionally function as borders to mark the limits of a work of art, lose this function and instead become contorted and deformed specimens, hung on the wall for appraisal like caught animals.

Pi Artworks

Paris

Mersin

Jeune Création

Beijing

Galerie Paris Beijing

Istanbul

Galerist

New York City

Sapar Contemporary

London

Shanghai

Pearl Lam Galleries

Tehrān

Etemad gallery

Siemens Sanat

Dhaka

Samdani Art Foundation

Mehmet Ali Uysal

Life is so Beautiful! (Hayat Çok Güzel)

Affinity

Paper Boat

Peel

Skin 2