Monika Stricker’s paintings embody a timeless, classical quality while often exploring themes of transience and ambiguity. Her choice of provocative subjects elicits strong emotional reactions from viewers. By blending traditional aesthetics with modern critical perspectives, Stricker delves into complex topics such as vulnerability, identity, and the dynamics of power.

In her earlier series, Stricker’s portrayal of faceless male figures with omitted genitalia challenged conventional patriarchal symbols, highlighting the fragility and constructed nature of identity. Her recent work shifts focus to a range of motifs, including breastfeeding primates, dogs, and fragmented human forms like feet. These elements, deeply intertwined with her personal fears and fascinations, invite reflection on intimacy and the existential human condition, positioning viewers in roles that oscillate between participant and observer.

Her art compels audiences to confront uneasy truths about dependence, submission, and exposure. By featuring subjects like nude men, animals, or her own body parts, Stricker strips away societal veneers, leaving behind a raw, disconcerting intimacy that blurs the line between vulnerability and strength​.

Dépendance

P420

Brussels

Landsberg Prize

Bologna

Gent

S.M.A.K. Stedelijk Museum Voor Actuele Kunst

Vienna

Universitätsgalerie der Angewandten

Düsseldorf

Nrw Forum Düsseldorf

Mönchengladbach

Museum Abteiberg

Monika Stricker

Cold Foot

Merman

Vogelperspektive

Blue Amulet

Hanger

Inner circle

Reclining Merman

Eclipse

Home Base

Half turn