Through geometric and abstract paintings, Navine G. Khan-Dossos navigates notions of digital Orientalism, Aniconism within Islamic art, image calibration and algorithms. Khan-Dossos employs traditional Islamic art techniques and classical training in painting to unpack and reinterpret mass-media aesthetics and debates. Yet her investigation transcends aestheticism and penetrates the cultural and socio-political ramifications of mark-making in contemporary globalised society. The artist is interested in the communication and transferral of information and society’s interaction. Khan-Dossos has created site-specific works in direct dialogue with their context and space and with the public who populate them, sometimes creating work in public, in direct and prolonged conversation with visitors. 

London

Athens

Athens Biennale

The Breeder

New York City

Fridman Gallery

Arles

Fondation Luma

Deste Foundation For Contemporary Art

Royal College of Art

Rotterdam

Witte De With Center For Contemporary Art

The Showroom

Eindhoven

Van Abbemuseum

Goldsmiths CCA

Navine G. Khan-Dossos

Delfina Foundation