Philippe Malouin’s practice is located at the junction point between craftsmanship, sculpture and industrial design. In his new body of work, he explores the relationship of lighting, furniture and sculpture, threading the historical and the cultural through a modern lens. The works in the exhibition were produced in two parts in Brighton, UK and Athens, Greece and both their colors and construction are inspired by each city and its waste material that the artist discovered in scrap yards. Malouin creates here an interesting dialogue between materials, form and functionality and assembles these elements in a way that is both innovative and compelling, ensuring he captures all the possibilities the material has to offer.
This exhibition borrows its inspiration from the Dadaist tradition of découpé or cut out technique, the mechanical method of juxtaposition in which a written text is cut up and rearranged in order to create new meaning. Sourcing steel objects instinctively and rearranging them ad hoc, Malouin’s intention is to create here new meaning and value. These hybrid objects challenge our perception of what a three-dimensional object can be and appear both of this world and utterly futuristic. They are ultimately artistic manifestations where their functionality is not always delineated. By probing its boundaries to and beyond the limits, Malouin creates here a rather surprising language of form.

The Breeder

London

Paris

Eric Philippe

New York City

Salon 94

Philippe Malouin

 chair

 Dining chair 2: Highway crash barrier

 Chair 17: Rectangular beam

 Mobile workstation: Lawn bowling roller and seat

 reversible side teble/stool

 Armchair: structural steel tiles