Sayre Gomez (b. 1982, Chicago) works across mediums, including painting, sculpture, and video, to address themes of perception and representation. His works often deploy a range of painting techniques drawn omnivorously from Hollywood set painting, commercial sign painting, automotive airbrushing, and other traditions. The city of Los Angeles serves as a frequent setting and subject, given homage through references to roadside signage, car culture, fantastical sunsets, and other aspects of Angeleno visual culture. Recurring metaphors such as windows, doors, gates, and and walls are often used in Gomez’s work as part of an investigation into the role of context in the distribution and legibility of images in the 21st century. 
-François Ghebaly-


François Ghebaly

Los Angeles

Chicago

Basel

Art Basel

Miami

Art Miami

Frieze

David Kordansky Gallery

New York City

Jeffrey Deitch

Perrotin

Easthampton

Rental Gallery

Magenta Plains

Canada

London

Josh Lilley

Night Gallery

Düsseldorf

Sies + Höke

Ibid Projects

Köln

Galerie Nagel Draxler

Clearing

Venice

Iris Project

Paris

Balice Hertling

The Hole

White Columns

Kavi Gupta

Gavin Brown’S Enterprise

Brussels

Xavier Hufkens

Lacma

Shanghai

Yuz Museum

Detroit

Museum of Contemporary Art Detroit

Torrance

Torrance Art Museum

Sydney

Art Gallery of New South Wales

Turin

Fondazione Sandretto Re Rebaudengo

Hammer Museum

Whitney Museum of American Art

Rubell Museum

Nanjing

Sifang Art Museum

Sayre Gomez

School Of The Art Institute Of Chicago (Saic)

Sim City 3

Garfield Performs "Hang in There

Cindy's World

Untitled

Tranq