Tom Forkin manipulates the typical properties of his chosen materials to construct isolated vignettes. His sculptures resonate with the environmentally-harsh and socially-hostile cities that emerged following the industrial revolution. Locomotive models constructed from now-antiquated bar carts appear beside watercolor renderings of kerosene street lamps, highlighting humanity’s penchant for nostalgia and tendency to sentimentalize the past. Forkin's sculptures often suggest the existence of a larger narrative without providing any clear, linear resolve - each pictorial fragment defined by this withholding. 

New York City