Born in 1976, Whitney Bedford lives and works in Los Angeles. Bedford uses her own mark making to bring the original source material of her paintings into the realm of the imaginary. Layered with both ink and oil paint, romantic scenes of destruction, calm at sea, and migrating birds are manipulated to the point of abstraction, showing only vestiges of her starting point.
Bedford’s process has shifted in her recent works. In past paintings, drawing was used to create an architecture for gesture. Now, though the paintings technically begin with the drawings, a painstaking process of masking and unmasking pushes the drawn flora to the fore and places the viewer at a further distance from the pastoral scenes behind or outside of the space of drawing. The distance created between painting and drawing underscores Bedford’s archival research and careful selection of images that seem to belong to a lost or disappearing world. Her new drawings are part of an encyclopeadic exercise the artist is pursuing. Every day she draws a woman who persisted in solidarity and to continue unwavering support of women who are challenging the world to be better. She considers these to be votives of support, and part of the proceeds will go in donation to Emily’s List, helping elect anti-racist progressive Democratic female candidates.

Galerie Art : Concept

Los Angeles

Baltimore

Basel

Art Basel

New York City

Miles Mcenery Gallery

Vielmetter Los Angeles

Over The Influence

Paris

Praz-Delavallade

London

Saatchi Gallery

Whitney Bedford

Veduta (Gleizes)

Veduta (Turner White Rainbow)

Veduta (Monet Giverny)

Veduta (Derain L’Estaque)

Untitled Volcano (All fires)

The Rattler

Book (Guston)

Cactus Trash and Treasure

The Night Ahead

Bardo Parade

Shipwreck (After August)