Jacqueline Kiyomi Gork
Bag O'Weed, 1990
quilted carseat vinyl, car speaker, looped subfrequencies from 1990's long beach hiphop
117 x 129.5 x 17.8cm
Available
About Jacqueline Kiyomi Gork
Jacqueline Kiyomi Gork's hybrid practice combines work in sound installation, sculpture, and performance with the aim of reconfiguring the traditional hierarchies between audience, performer, and architecture. Her sculptural and sonic systems often reference complex sonic histories embedded into the technological infrastructure of architecture, music, communications technologies and military research. By investigating the networks of institutional and technological power which traverse our embodied perception of sound, she hopes to reveal the myriad ways in which our acoustic experience is subject to control and suggest alternative modes of engagement with the sonic world.
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