Caragh Thuring

Through her paintings, Thuring examines the speed at which images are consumed, asking exactly how much information is required to satisfy intention and how slowly the process of looking can unfold. Absent of hierarchy in subject matter or use of materials, Thuring’s paintings are loosely constructed exploring recurring motifs, including pyramids, brick work, volcanoes and the human silhouette. These speculative environments are rendered with an economy of means and leave large tracts of empty linen. For Thuring, the process of making work can be likened to editing film. Her paintings unfold in time: images stall and stutter, giving way to silence and space for thinking and looking.