DOCENT PICK
Lulù Nuti at Chloé Salgado
03/10/2024
To celebrate the opening of her new solo exhibition at Galerie Chloé Salgado, Docent is pleased to tell you more about the work of italian artist Lulù Nuti.
Tube
Lulù Nuti
Galerie Chloe Salgado
61 rue de Saintonge, 75003 Paris
October 05 - November 16
Wednesday to Saturday from 2 pm to 7 pm
Tube
Lulù Nuti
Galerie Chloe Salgado
61 rue de Saintonge, 75003 Paris
October 05 - November 16
Wednesday to Saturday from 2 pm to 7 pm
About Lulù Nuti
Lulù Nuti (1988, Levallois-Perret) lives and works in Rome. After spending her childhood in Rome, Nuti moved to Paris in 2006 to attend the École Nationale Supérieure des Beaux-Arts, graduating in 2012. Since then, she has participated in numerous group and solo exhibitions, both in galleries
(GALERIE CHLOE SALGADO, Renata Fabbri, Galleria Alessandra Bonomo, Galleria Mazzoli, Postmasters, etc.) and institutions (Villa Medici, Musée des Beaux-Arts d’Angers, Fondazione Nicola Del Roscio, Accademia di Belle Arti di Roma, Museo Camusac, Collezione La Gaia, Galleria nazionale d'arte moderna e contemporanea, etc.).
(GALERIE CHLOE SALGADO, Renata Fabbri, Galleria Alessandra Bonomo, Galleria Mazzoli, Postmasters, etc.) and institutions (Villa Medici, Musée des Beaux-Arts d’Angers, Fondazione Nicola Del Roscio, Accademia di Belle Arti di Roma, Museo Camusac, Collezione La Gaia, Galleria nazionale d'arte moderna e contemporanea, etc.).
Tube
Entitled "Tube", the exhibition will mark her return to France after numerous institutional exhibitions in Italy. The artists continues to investigate the properties of iron, a material she sculpts and transforms into a moving body, whose initial rigidity gives way to more organic forms.
The emancipated spectator
Her approach will remain rooted in an intellectual and sensitive engagement with matter, which becomes a vehicle for a poetic language where the intimate merges with generational inquiries. More broadly, Lulù Nuti questions the relationships between humans and their environment, and her work becomes a space for projection, where viewers can nestle and let their gaze read a landscape that is both gentle yet harsh, familiar yet chaotic.
Quite often, the work, with its rounded and symmetrical forms, evokes ancient symbols that preceded scientific inquiry, yet, due to their analogical rather than analytical nature, seem to anticipate some of today's most celebrated theories: the self-generation and self-sufficiency of a universe that self-fertilizes to endlessly repeat a cycle of expansion and contraction.
Bodies in fusion