Alice Guittard's practice evolves over time, depending on who she meets, what she reads and what she wants to believe. For her, exhibitions are synonymous with expeditions. Her desire to push back the boundaries by inventing a new format and a new language each time, is a way for her to bring out surprising analogies in the viewer. Day after day, she persists in creating evidence of a fact that has not happened. She offers us something that is right there in front of our eyes and that no one else can see. Forms present themselves to her and she sets about giving them a new destiny, like the toys of a mad god. ...
