Andrew Norman Wilson probes the unseen networks of labor, technology, and media, exposing the hidden infrastructures and inequalities that shape contemporary corporate systems. His works—ranging from videos, sculptures, and drawings to performance lectures and photography—critique the aesthetics and myths of technology, highlighting the effects of globalization in labor, capital, and information realms. A notable example of his work is In the Air Tonight (2020), a short film that reimagines the urban legend surrounding Phil Collins's 1981 hit song of the same name. The film narrates a fictional backstory involving a mysterious encounter on the Pacific Coast Highway, blending clips from 1980s neon-noir films to create a dreamlike and dissociative atmosphere. Wilson's use of appropriated imagery and his manipulation of film ratios and facial obscuration challenge the viewer's perception and engagement with the narrative. Through such works, Wilson explores how media can shape our understanding of reality, often blurring the lines between fact and fiction. His practice continues to evolve, reflecting his interest in the complexities of contemporary life and the systems that underpin it. ...
