In her paintings, sculptures and installations, Cathrin Hoffmann reimagines, remodels, and recycles various corporealities to explore and question what being human means in the future post-digital age. The distorted figures, whose bodies amass both sharp-edged and curvy forms, defy standardized and stereotypical ideas of the human physique, particularly circulated by the media. Although Hoffmann predominantly works with feminine shapes, she does not draw a dividing line between male and female, human and animal, animal-human and machine, natural and artificial. Her aesthetic operates in an equivocal realm, in which these kinds of dualisms are non-existent. Hoffmann’s work distinctly dismisses such dualist ideas and sets a new basis for futuristic, diverse body types. ...
