Donna Kukama is an interdisciplinary artist whose practice engages performance art as a tool for creative research. Her work presents institutions, monuments, gestures of protest, rumors, and fleeting moments that are as real as they are fictitious. Shifting between performance, video, text, sound, and multimedia installations, her practice takes on a form that is experimental, applying methods that are deliberately undisciplined. She uses performance as a strategy that allows her to invent as well as to apply methods that are outside the canon of what is predictable or expected. She questions how histories are narrated and subverts how value systems are constructed, often centering methods perspectives that originate from the Global South. Through her practice, she weaves major with minor aspects of histories, introducing fragile and brief moments of ‘strangeness’ within sociopolitical settings. Her performances are to be understood as gestures of poetry with a political intent and an urgent need to destabilize existing canons regarding the ways we look at reality. For Kukama, performance becomes a strategy for inserting foreign ‘undocumented’ voices and presences into history by occupying sites and territories that remember less-told stories. ...
