Jonathan Binet’s work is characterised by the presence of body and movement. His paintings, installations and sculptures are directly performed through and against the space of their exhibition. Binet’s shows are full of obstacles and interventions, forcing the viewer to navigate through sprayed lines, holes in walls, aeroplane carcasses, pencil marks, frames from which the paintings are missing, and then paintings blank in their abstraction. Such elements, like clues to some fictional narrative, are both deliberate and accidental and make up a space that looks like an artists studio abandoned in a hurry. Relying on external forces of time, gravity and entropy, Binet’s work is always honest and performative.
Written by Goldsmiths CCA ...
