Jonathan Penca works in diverse media such as drawing, sculpture, performance and video.
Penca’s interest in stage and costume design and dramaturgy resonates in his artistic practice in the negotiation of boundaries between reality and staging. Influences from and deliminations between natural science, pop culture and science fiction offer subjects to reflect on the relation between queer and fluid embodiment as subversive moment and late-capitalist individualization. His sculptures are at times animated, also in collaborative settings. Penca’s manifold approaches have in common that they defer oppositions between the natural and the artificial, or the actor and the represented, until their dissolving. In his works, the artist – also through excessive scales – opens up double-edged, ambiguous spaces, within which the dilemma between in- and hyper visibility are negotiated playfully and the viewer is invited to partake. ...
