Each film Lola Gonzàlez produces, makes the next one up. The complete set portrays an obsession, as dreams that'd never cease to return night after night, affecting day-time as well. The apparent lightness emerging from her first "buddy movies" has disappeared in favor of a desire that's more open to the world. Not unlike magical rituals, Lola Gonzàlez's films open on those young people facing outward, toward the landscape. Are they able to see a sign out there, they'll all read into in the same fashion? Each time, a deeply moving synchronicity sets in, creating a situation where communication channels through the bodies that brush by or voluntarily touch one another. ...
