Michael Hilsman makes non-literal paintings of objects and figures that explore the absurdity, magic, and latent spirituality of the physical world.
Utilizing formats associated with classical painting such as portraiture and still life, and employing a wide visual vocabulary ranging from naturalism to expressionism, Hilsman builds monumental paintings whose objects and figures are in a state of dissolution and fragmentation, often seeming to disattach from themselves and form anew, appearing both familiar and foreign.
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