The wide-ranging, multi-media work of Mungo Thomson approaches mass culture and everyday perceptual experience through a lens of deep time and cosmic scale, implicating the spaces of production and exhibition along the way in ever-widening extrapolations.
He has convened an orchestral ensemble to perform a score transcribed from the chirping of crickets, persuaded museums to let their incoming mail pile up unopened in the galleries for the run of an exhibition, made a stop-motion film animation of his art dealer’s Rolodex, and replaced the coat-hangers in the Whitney Museum’s coat check with custom-made hangers modeled on orchestral triangles, transforming it into an enormous musical instrument. ...
