In Piotr Janas’ works, themes of surrealism and matter painting are combined with a unique expression of the painterly gesture. Abstract, geometric forms and realistic objects permeate shapeless impasto surfaces that, accentuating the objectivity and autonomy of the picture, refer openly to the tradition of 1960s and 1970s Polish painting.
The compositions seem to be subject to a metamorphosis making them unstable, between figuration and abstraction. Janas’ way of painting reveals the process through which it was created: smoke, fluid explosions that drip, stains that reveal a hypothetical clash with canvas, as well as lacerations, swellings, throttles. They are the result of imaginary actions to which the artist has submitted form, like strange and unpredictable experiments performed in a laboratory. The fluid lines that recall the body - from sex organs to fragments of epidermis - contrast with the sharp tips and precise drawings of geometrical forms which the artist often incorporates in his compositions. ...
