Regina José Galindo channels poetry and performance through the body, confronting the ethical and social consequences of violence, inequality, and discrimination. Her work often situates the body within the physical and cultural landscapes of Guatemala, exploring the ways systemic injustices are embedded in history and continue to shape contemporary society. Galindo’s performances place her own body in dialogue with the experiences of others, addressing both the specific realities of her native country and the broader global effects of power and oppression. She examines the interconnected struggles of women, the marginalization of Indigenous communities, environmental exploitation, civil conflict, and migration, revealing their roots in colonial histories and persistence under neo-colonial systems. Central to her practice is the notion of extraction—whether of natural resources, labor, or social control—which underscores the ongoing human and environmental costs of systemic exploitation. Through these acts, Galindo transforms her body into a space of witness, resistance, and ethical reflection, challenging audiences to confront the hidden structures of violence and inequality that permeate daily life. ...
