Thea Djordjadze was born in Tbilisi, Georgia, in 1971. She lives and works in Berlin.
At first glance, Thea Djordjadze’s sculptural assembles are not always readily identifiable as such; she often creates installations developed on site in response to the particular space or the context of an institution.
For her 2017 solo show at Pinakothek der Moderne in Munich she realized out-sized vitrines that structured the exhibition space and in which she presented a selection of works on paper from Graphische Sammlung München. At the same time, she designed comfy islands of seats for the viewers. Her artistic practice at times intervenes profoundly in institutional structures; in this way, it could be grasped as a process of continual contextualization, reconfiguration and re-ordering of existing and new objects, as a provisional state that bears within it the potential of change. ...
