In this series “celebration chronicles” Azize Ferizi presents a series of eight paintings where the subjects are veiled in these shell-like, cloth-like structures, serving as unconventional garments. With each painting, she attempts to depict a distinct character that draws inspiration from prevalent stereotypes. By doing so, she focuses to shed light on the limitations and constraints imposed by these social constructs, inviting viewers to question and reflect upon their own perceptions. These characters are envisioned within the context of a fictional celebration or event, allowing for an engaging narrative to unfold. 


Fashion plays a significant role in this series as it enables Azize to delve into a broader range of colors and materials. The figurative forms that characterized her earlier works are now articulated through a vibrant interplay of colors, shapes, and sizes. Each painting becomes a visual narrative, where the characters speak through the language of hues and compositions, conveying stories of identity, perception, and societal roles. Through the juxtaposition of celebration, fashion, and character archetypes, her  intention is to spark conversations about the intricacies of individuality and the influence of societal constructs on our sense of self. The fluidity of the medium allows for an organic interplay between the painted surface and the fabric-like texture, creating a visual dialogue that blurs the boundaries between painting and sculpture.


Exo Exo

Fribourg

The Kiefer Hablitzel

Stravinsky Prize

Ducastel Prize

New York City

Galerie Eva Presenhuber

Azize Ferizi

Obedience as goodness I

Mommy Issues II

A line is a line is a line is a line

Toilet seat #7

Toilet seat #2

The widow

The kid

The mother

The lady in red with dog

The wine-spiller

The smoker

The aunt

The maid