Thea Gvetadze's work is always deeply personal yet transcends the simple individual; her drawings, wooden, ceramic and textile objects dematerialise into transcendent layers that speak to universal concerns such as the ambiguities of identity and one's place in the world. In Gvetadze's artistic study, Being is seen through plenitude rather than lack. Gvetadze strives to prove that life, despite all grave circumstances, always preserves sites where the potential of its blessing is maintained. The artist reveres life as a gift and insists that as long as art has the capacity to elevate things, it must do so in order to at least draft the realm where things and creatures can be revered and redeemed.

Lc Queisser

Tbilisi

Riga

PARIS +

Köln

Jan Kaps

Gallery Artbeat

Basel

For Space

Antwerpen

The Museum of Contemporary Art Antwerp

New York City

Art In General

Amsterdam

Cobra Museum Voor Moderne Kunst

Neues Kunstforum

Zürich

Kunsthalle Zurich

Berlin

New Berlin Art Society

Düsseldorf

Museum Kunstpalast

Dortmund

Museum Ostwall

Thea Gvetadze

Iris Iberica I

N for A

Libertin

Heart Pocket II

Black is the color of my true love's hair

Untitled

Sachinao Davaleba

Becoming Thea Merlani

To Rajden Gvetadze

To Simon Machabeli 01

To Simon Machabeli 03