Lc Queisser

Lc Queisser

Location
Tbilisi10 Giorgi Mazniashvili St, Tbilisi, Georgia
Lc Queisser: Artworks
Lunar Croon
Stefanie Heinze
Lunar Croon, 2023
86 x 120cm
Coo (Mild Pile Spread)
Stefanie Heinze
Coo (Mild Pile Spread), 2025
135 x 175cm
Onkel Assoziation
Stefanie Heinze
Onkel Assoziation, 2023
145 x 175cm
O.T. (Immersing)
Stefanie Heinze
O.T. (Immersing), 2020
20.9 x 17.9cm
scrambled god living in static machination
Ser Serpas
scrambled god living in static machination, 2021
98 x 217 x 33cm
 encircled world little tidbits
Ser Serpas
encircled world little tidbits, 2021
233 x 242 x 91cm
revolutions insect of things
Ser Serpas
revolutions insect of things, 2021
152 x 282cm
conjoining fabricated excesses literal end to a mean
Ser Serpas
conjoining fabricated excesses literal end to a mean, 2021
117 x 165 x 96cm
atrophies for participation
Ser Serpas
atrophies for participation, 2021
144 x 125 x 138cm
spilled out of my head head was spinning
Ser Serpas
spilled out of my head head was spinning, 2021
131 x 129.5 x 106cm
nights of the soul thorough body
Ser Serpas
nights of the soul thorough body, 2021
185 x 263 x 95cm
love time in vetivers,  bathtub dropped a story and left as is
Ser Serpas
love time in vetivers, bathtub dropped a story and left as is, 2021
39 x 160 x 71cm
trailing falling caustic walkway trembled into being
Ser Serpas
trailing falling caustic walkway trembled into being, 2021
85 x 123 x 34cm
Untitled
Ser Serpas
Untitled, 2023
215 x 140cm
Untitled
Ser Serpas
Untitled, 2022
45.5 x 37cm
Untitled
Ser Serpas
Untitled, 2022
45.5 x 37cm
Untilted
Ser Serpas
Untilted, 2023
215 x 140cm
The Collector
Ser Serpas
The Collector, 2022
250 x 140 x 74cm
Untitled
Ser Serpas
Untitled, 2022
215 x 227cm
The Collector
Ser Serpas
The Collector, 2022
250 x 140 x 74cm
Untiteld
Ser Serpas
Untiteld, 2025
215.9 x 259.08cm
Untitled (Plaza)
Sitara Abuzar Ghaznawi
Untitled (Plaza), 2019
800 x 500 x 90cm
Untitled (mirror)
Sitara Abuzar Ghaznawi
Untitled (mirror), 2019
120 x 85 x 10cm
Saint
Male extinction 2
Sitara Abuzar Ghaznawi
Male extinction 2, 2021
75 x 55cm
Vulgar Collage
Sitara Abuzar Ghaznawi
Vulgar Collage, 2023
35.3 x 47.5cm
Untitled (Plaza)
Sitara Abuzar Ghaznawi
Untitled (Plaza), 2019
90 x 800 x 500cm
Those who remember
Sitara Abuzar Ghaznawi
Those who remember, 2023
640 x 340 x 3cm
Dog Smile
thawing
Yellow Mellow
Ketuta Alexi-Meskhishvili
Yellow Mellow, 2016
140.4 x 110.1cm
Hujar’s hand on Motherhood
Ketuta Alexi-Meskhishvili
Hujar’s hand on Motherhood, 2020
30 x 22cm
Dusty Days
The Nose Did Return
Ketuta Alexi-Meskhishvili
The Nose Did Return, 2022
60 x 48cm
The Body Keeps The Score
Ketuta Alexi-Meskhishvili
The Body Keeps The Score, 2022
112 x 90cm
I Don't Remember
Ketuta Alexi-Meskhishvili
I Don't Remember, 2020
60 x 48cm
Georgian Ornament
Ketuta Alexi-Meskhishvili
Georgian Ornament, 2023
112 x 90cm
Dusty Days
Danama  დანამა
Ketuta Alexi-Meskhishvili
Danama დანამა, 2020
138 x 110cm
I am your slice. Me sheni nacheri var
Ketuta Alexi-Meskhishvili
I am your slice. Me sheni nacheri var, 2020
138 x 110cm
Bronte sisters
Ketuta Alexi-Meskhishvili
Bronte sisters, 2023
41.4 x 32cm
Yellow Scars
Ketuta Alexi-Meskhishvili
Yellow Scars, 2023
61.8 x 49.8cm
Figure
Decreating
Toma Vova Gogi
Ketuta Alexi-Meskhishvili
Toma Vova Gogi, 2023
34.5 x 42.1cm
Leila's Dress (Osile)
Ketuta Alexi-Meskhishvili
Leila's Dress (Osile), 2023
42.1 x 34.5cm
Petal Promises
Ketuta Alexi-Meskhishvili
Petal Promises, 2025
14 x 11.2cm
The Price of Eggs
Ketuta Alexi-Meskhishvili
The Price of Eggs, 2025
14 x 11.2cm
Ready to Roll
Eshmaki
Won Cha
Eshmaki, 2021
86 x 83cm
IMPORTED VIRUS FROM CHY-NA
Won Cha
IMPORTED VIRUS FROM CHY-NA, 2022
25 x 29cm
show Us Your tips
Won Cha
show Us Your tips, 2022
21 x 26cm
Always Bare for You
Won Cha
Always Bare for You, 2022
18 x 21cm
I Man I cure for Beads
Won Cha
I Man I cure for Beads, 2022
18 x 21cm
Can’t CTRL Me
Won Cha
Can’t CTRL Me, 2022
18 x 21cm
I man. I cure. 4 beads
Won Cha
I man. I cure. 4 beads, 2022
13 x 26cm
Bisexual and Radially Symmetric
Keto Logua
Bisexual and Radially Symmetric, 2018
20 x 20 x 11cm
ancestral flower from scratch and in detail
Keto Logua
ancestral flower from scratch and in detail, 2018
43 x 27cm
Simple Model F
Keto Logua
Simple Model F, 2019
38 x 27 x 10cm
Natural History I
Keto Logua
Natural History I, 2020
145 x 21.5 x 17cm
Cross section. Double Rose I
Keto Logua
Cross section. Double Rose I, 2020
148 x 148cm
Calendula Cut I
Keto Logua
Calendula Cut I, 2022
81 x 61cm
Attachment
Keto Logua
Attachment, 2022
80 x 82cm
Absorber
Keto Logua
Absorber, 2024
65 x 65 x 3cm
Interior (daisy)
Keto Logua
Interior (daisy), 2024
78 x 120 x 3cm
Interior (1/3 daisy)
Keto Logua
Interior (1/3 daisy), 2024
103 x 78 x 3cm
Bokeh Hex
Keto Logua
Bokeh Hex, 2024
57 x 54 x 10.5cm
By the Highway 19
Rafik Greiss, Ser Serpas
By the Highway 19, 2023
32 x 24cm
To Simon Machabeli 03
Thea Gvetadze
To Simon Machabeli 03, 2022
24.8 x 32.5cm
To Simon Machabeli 01
Thea Gvetadze
To Simon Machabeli 01, 2022
29 x 24cm
To Rajden Gvetadze
Thea Gvetadze
To Rajden Gvetadze, 2019
30.5 x 21cm
Untitled
Thea Gvetadze
Untitled, 2008
90 x 120cm
Black is the color of my true love's hair
Thea Gvetadze
Black is the color of my true love's hair, 2010
105 x 140cm
Becoming Thea Merlani
Thea Gvetadze
Becoming Thea Merlani, 2018
160 x 130cm
Sachinao Davaleba
Thea Gvetadze
Sachinao Davaleba, 2011
70 x 100cm
Heart Pocket II
Thea Gvetadze
Heart Pocket II, 2022
67.5 x 56cm
Libertin
Thea Gvetadze
Libertin, 2011
140 x 200cm
N for A
Thea Gvetadze
N for A, 2022
28.5 x 23 x 2cm
Iris Iberica I
Thea Gvetadze
Iris Iberica I, 2022
26.5 x 8.5 x 2.5cm
For Those Who Are Not There
Tolia Astakhishvili
For Those Who Are Not There
23 x 20.5 x 2.5cm
Narrow shelter
Simple judgments and polite answers
Tolia Astakhishvili
Simple judgments and polite answers, 2019
29 x 21cm
There is something soft
Tolia Astakhishvili
There is something soft, 2023
107 x 75.5 x 0.5cm
Gossip niche
Tolia Astakhishvili
Gossip niche, 2023
22 x 15.5cm
space reflected owner I
Tolia Astakhishvili
space reflected owner I, 2023
the storyteller
Tolia Astakhishvili
the storyteller, 2023
253 x 190cm
some shoulders are wings of others
Tolia Astakhishvili
some shoulders are wings of others, 2025
450 x 350 x 180cm
I feel I am not alone
Tolia Astakhishvili
I feel I am not alone, 2024
50 x 42cm
you can’t please everyone
Tolia Astakhishvili
you can’t please everyone, 2025
124 x 66cm
a timeline of physical attributes I
Tolia Astakhishvili
a timeline of physical attributes I, 2025
31 x 22cm
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself
Simon Lässig
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself, 2023
43 x 60.4cm
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself
Simon Lässig
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself, 2023
43 x 60.4cm
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself
Simon Lässig
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself, 2023
43 x 60.4cm
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself
Simon Lässig
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself, 2023
43 x 60.4cm
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself
Simon Lässig
how one learns to look through other people how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat-about how we are conditioned-then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A reality comes into being that is closed off and something I've seen before repeats itself, 2023
43 x 60.4cm
In a room of 497 × 239 cm, each wall measuring 250 cm in height, a window of 146 × 134 cm on the left wall, a door of 111 × 200 cm on the wall facing me. Being without motion, I look at the other, measure myself against every movement they make, for I see what they see and see it as they see it: without colour,as angles and distances
Simon Lässig
In a room of 497 × 239 cm, each wall measuring 250 cm in height, a window of 146 × 134 cm on the left wall, a door of 111 × 200 cm on the wall facing me. Being without motion, I look at the other, measure myself against every movement they make, for I see what they see and see it as they see it: without colour,as angles and distances, 2025
42.7 x 60.1cm
In a room of 497 x 239 cm, each wall measuring 250 cm in height, a window of 146 x 134 cm on the left wall, a door of 111 x 120 cm on the wall facing me. Being without motion, I look at the other, measure myself against every movement they make, for I see what they see and see it as they see it:without colour, as angles and distances
Simon Lässig
In a room of 497 x 239 cm, each wall measuring 250 cm in height, a window of 146 x 134 cm on the left wall, a door of 111 x 120 cm on the wall facing me. Being without motion, I look at the other, measure myself against every movement they make, for I see what they see and see it as they see it:without colour, as angles and distances, 2025
42.7 x 60.1cm
29:497 cm, 102:239 cm, 87:250 cm
Simon Lässig
29:497 cm, 102:239 cm, 87:250 cm, 2025
42.7 x 60.1cm
Untitled
Vati Davitashvili
Untitled, 1990
67.5 x 54.5cm
Untitled
Vati Davitashvili
Untitled, 1993
10.5 x 14.5cm
Untitled
Vati Davitashvili
Untitled, 1993
10.5 x 14.4cm
Untitled
Vati Davitashvili
Untitled, 1991
34.2 x 45.7cm
Tender Kiss
Katia Lifshin
Tender Kiss, 2024
100 x 80cm
Fall Back
Katia Lifshin
Fall Back, 2024
80 x 80cm
Collins, Passage (das Bedürfnis der Objektivität)
Coleman Collins
Collins, Passage (das Bedürfnis der Objektivität), 2025
76.2 x 101.6cm
Untitled (Entryway)
Coleman Collins
Untitled (Entryway), 2023
78.7 x 91.5cm
Untitled (Herald St)
Coleman Collins
Untitled (Herald St), 2024
76.2 x 58.4cm
Untitled (Herald St)
Coleman Collins
Untitled (Herald St), 2024
58.4 x 76.2cm
Untitled (Elmina stairs)
Coleman Collins
Untitled (Elmina stairs), 2024
76.2 x 58.4cm
Untitled (A view of the courtyard)
Coleman Collins
Untitled (A view of the courtyard), 2024
76.2 x 58.4cm
Untitled (Partial wall)
Coleman Collins
Untitled (Partial wall), 2024
76.2 x 58.4cm
Inventaire
Coleman Collins
Inventaire, 2024
35.5 x 128.3cm
Passage (wird simultan was alles nur in diesem Raume potentiell geschehen ist, wahrgenommen)
Coleman Collins
Passage (wird simultan was alles nur in diesem Raume potentiell geschehen ist, wahrgenommen), 2025
81.3 x 61cm
Passage (Nun, was mag sich in mir wohl zugetragen haben?)
Coleman Collins
Passage (Nun, was mag sich in mir wohl zugetragen haben?), 2025
81.3 x 61cm
Passage (cet endroit qui n’était rien moins que magnifque)
Coleman Collins
Passage (cet endroit qui n’était rien moins que magnifque), 2025
81.3 x 61cm
Passage (das Bedürfnis der Objektivität)
Coleman Collins
Passage (das Bedürfnis der Objektivität), 2025
76.2 x 101.6cm
Passage (la modernité est le transitoire, le fugitif, le contingent)
Coleman Collins
Passage (la modernité est le transitoire, le fugitif, le contingent), 2025
76.2 x 101.6cm
Passage (un système de rapports ou la moralité n’a plus rien a faire)
Coleman Collins
Passage (un système de rapports ou la moralité n’a plus rien a faire), 2025
76.2 x 101.6cm
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