Using painting, drawing, and immersive installations, Nalini Malani transforms memory and history into visual narratives that explore trauma, displacement, and the complexities of collective experience. Her work investigates themes of social marginalization, often reflecting on experiences of historical events, including the Partition of India.”
Her approach merges Indian and Western mythologies, exploring narratives of power, memory, and gender. Through layered imagery, projections, and multimedia installations, Malani creates immersive environments that invite reflection on contemporary social and political issues.
Malani frequently combines traditional drawing techniques with experimental media, using shadows, light, and animation to expand the spatial and temporal dimensions of her work. This interdisciplinary methodology enables her to explore the interplay between story, history, and perception, producing works that are simultaneously poetic, critical, and visually compelling.
By blending mythology, history, and contemporary realities, Malani’s practice challenges viewers to confront questions of identity, justice, and human resilience, making her work a sustained investigation into the ethical and emotional dimensions of human experience. ...
