Tobias Kaspar blurs the lines between art, fashion, and commerce to reveal how identity and culture are constructed through objects and images. Working across photography, textiles, installation, and publishing, he uses appropriation and institutional critique to challenge the commodification of both art and personal identity. Fabric and garments play a central role in his practice, serving as tactile mediums to explore subjectivity and cultural narratives. His photographic series, which features unwashed Off-White clothing overlaid with classical paintings, exemplifies his interest in the collision of high art and consumer culture. By integrating entrepreneurial ventures—such as co-founding an art magazine and launching a clothing line—Kaspar further dissolves boundaries between creative expression and commercial enterprise. His exhibitions often disrupt conventional presentation, encouraging viewers to reconsider assumptions about art, identity, and market dynamics. ...
