The artwork features a close-up of a textured, weathered fabric surface. The composition comprises various shades of green and gray, with patches of white and golden hues scattered across the image. The irregular patterns and folds in the fabric create a sense of depth and texture, suggesting a tactile quality. The artist seems to have employed a photographic technique to capture the intricate details and weathered appearance of the material, highlighting the inherent beauty and visual interest in everyday, mundane objects. This piece offers a contemplative study of the relationship between form, texture, and the passage of time. ...
Tobias Kaspar blurs the lines between art, fashion, and commerce to reveal how identity and culture are constructed through objects and images. Working across photography, textiles, installation, and publishing, he uses appropriation and institutional critique to challenge the commodification of both art and personal identity. Fabric and garments play a central role in his practice, serving as tactile mediums to explore subjectivity and cultural narratives. His photographic series, which features unwashed Off-White clothing overlaid with classical paintings, exemplifies his interest in the collision of high art and consumer culture. By integrating entrepreneurial ventures—such as co-founding an art magazine and launching a clothing line—Kaspar further dissolves boundaries between creative expression and commercial enterprise. His exhibitions often disrupt conventional presentation, encouraging viewers to reconsider assumptions about art, identity, and market dynamics. ...
Conditions began as Bonny Poon in 2017, Paris. Located on the 26th floor of a brutalist residential tower in the 13e, the gallery was co-founded by Nathaniel Monjaret (Marbriers 4, Geneva) and artist Bonny Poon.
Since 2023, the gallery is known as Conditions and is based out of Toronto’s Chinatown, while operating internationally. From the outset, Bonny Poon has striven to highlight the conditions that make art—from its production to sale—possible.
Beyond the art on display, we foreground the history of our artists' attitudes, positions, and networks. We have presented the Parisian and Canadian debut of many intergenerational artists and cultural figures, emerging and established.
As a gallery and an auto-fiction, we support transgressive artists and critical experiments. We mine the backstage, backroom working relations that unfold between our artists, clients, critics, and dealers—a parade of economic reality, a lasting dream of community. ...
