Untitled (F)

Abbas Akhavan

Untitled (F), 201756 x 70cm6000 USD
Details
MaterialGalleryLocation
ink on canson paperThe Third LineDubai
Description
Human-crafted. AI-refined.

This bold, black-and-white image depicts an abstract floral form, with organic shapes and gestural brushstrokes evoking the appearance of a tropical leaf or flower. The composition is striking, with the central shape spreading outwards in an asymmetrical, dynamic manner. The artist has employed a monochromatic palette, focusing on the interplay of positive and negative space to create a powerful visual statement. This work exemplifies the artist's experimental approach to abstraction, harnessing the expressive potential of ink and paper to explore the essence of natural forms. ...

Similar Artworks
Pardis
Sahand HesamiyanPardis, 202465000 USD
Mekong Mirage 湄公蜃樓
Apichatpong WeerasethakulMekong Mirage 湄公蜃樓, 202116000 USD
Keepsake #6
Amalia PicaKeepsake #6, 2024Price on Request
Untitled
Harold AncartUntitled, 2021300000 USD
Intersection
Susan HefunaIntersection, 2017Price on Request
Protective Rolla
Carolina CaycedoProtective Rolla, 202210000 USD
Gorge (double bend)
Nairy BaghramianGorge (double bend), 2017Price on Request
Kayhan
Sahand HesamiyanKayhan, 202350500 USD
A Conversation (On Animism) 對話(論泛靈論)
Apichatpong WeerasethakulA Conversation (On Animism) 對話(論泛靈論), 20225200 USD
Joy in Paperwork 381
Amalia PicaJoy in Paperwork 381, 20151800 GBP
Babylonian Fantasy
Naufus Ramírez-FigueroaBabylonian Fantasy, 2015Price on Request
Tamara
Ulla Von BrandenburgTamara, 202112000 EUR
Abbas Akhavan
Artist
Abbas Akhavan
1977 , Iranian

Abbas Akhavan’s practice involves a receptive contextualisation of the sites and architectures within which his installations are located; the institutions, economies, visitorship or communities surrounding, experiencing, or being experienced by his work. Akhavan is interested in domestic spaces, such as the home, the backyard and the garden, and the fluctuation between two polarities: hospitality and hostility. The artist often considers his work ‘studies’, pointing both to the works ephemerality and their unfinished, unfulfilled nature. His work asks the question, what do we assign as suitable sites for cultural production? In so doing, Akhavan’s installations often have the appearance of theatre or film sets, spaces ready to be activated, perhaps by a performance. In recent years, Akhavan’s research and installations have explored the relationship between two disparate materials of production: chroma key green screen technology and cob, a building material made of water, subsoil and straw that dates back to prehistoric times. In Akhavan’s installations, the chroma key green acts almost as a transtemporal portal, highlighting the cob structures’ appearance as signifiers, anachronistic, evoking another time or place. ...

Abbas Akhavan: Artworks
Untitled (G)
Abbas AkhavanUntitled (G), 20176000 USD
Untitled (K)
Abbas AkhavanUntitled (K), 20176000 USD
Untitled (F)
Abbas AkhavanUntitled (F), 20176000 USD
Untitled (D)
Abbas AkhavanUntitled (D), 20176000 USD
The Third Line
Gallery
The Third Line
Dubai

Founded in 2005, The Third Line is a Dubai-based gallery that represents contemporary artists locally, regionally, and internationally. A pioneering platform for established talent and emerging voices from the region and its diaspora, The Third Line has built a dynamic program that explores the diversity of practice in the region. Represented artists include: Abbas Akhavan, Ala Ebtekar, Amir H. Fallah, Farah Al Qasimi, Farhad Moshiri, Fouad Elkoury, Hassan Hajjaj, Hayv Kahraman, Huda Lutfi, Joana Hadjithomas & Khalil Joreige, Jordan Nassar, Laleh Khorramian, Lamya Gargash, Monir Shahroudy Farmanfarmaian, Nima Nabavi, Pouran Jinchi, Rana Begum, Sahand Hesamiyan, Sara Naim, Sherin Guirguis, Shirin Aliabadi, Slavs and Tatars, Sophia Al-Maria, Tarek Al-Ghoussein, yasiin bey, Youssef Nabil and Zineb Sedira. ...