Klaus in Tulum

Billy Sullivan

Klaus in Tulum, 2003182.9 x 133.4cmSign in to view price
Details
MaterialGallery
oil on linenKaufmann Repetto
Description
Human-crafted. AI-refined.

The painting features a vibrant and imaginative composition. The colors are bold and expressive, with a blend of warm hues like reds and yellows contrasting with cooler tones of blue and purple. The overall brushwork is gestural and lively, creating a sense of movement and energy. The central figure, a nude human form, is depicted in a stylized and dreamlike manner, adding an element of surrealism to the piece. In the foreground, various objects such as books, a pineapple, and a glass of liquid are arranged in a still life-like manner, further enhancing the surreal and imaginative quality of the artwork. The artist's intention seems to be exploring the boundaries between reality and fantasy, inviting the viewer to engage with the painting's rich symbolism and unique visual language. ...

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Lilies, October
Artist
Billy Sullivan
B.1946, American

born in 1946 in New York, where he lives, works, and teaches. Sullivan is best known for a diaristic practice that straddles the vitality of fleeting moments and the construction of retrieved remembrance. Raised in New York City, where he attended the School of Visual Arts, Sullivan came of age in the social milieus around Andy Warhol, Max’s Kansas City, and Parisian fashion designer Kenzo, even as he absorbed such influences as Fairfield Porter’s domestic realism and Joan Mitchell’s dynamic pastels. Sullivan’s paintings, drawings, and photographs are saturated with the intimacy of the “muses” in his own life, present and past—friends, lovers, artists, writers, allies and other collaborators, both known and obscure. Noted for their loose, gestural mark-making and unexpected color combinations, his portraits and still lifes draw viewers into the atmosphere as participants rather than mere observers. ...

Billy Sullivan: Artworks
Lilies, October
Billy Sullivan
Lilies, October, 2011
76.2 x 56cm
Klaus, East Hampton
Billy Sullivan
Klaus, East Hampton, 1974
106.7 x 76.2cm
Klaus in Tulum
Billy Sullivan
Klaus in Tulum, 2003
182.9 x 133.4cm
Leo & Jesse 2
Billy Sullivan
Leo & Jesse 2, 2008
106.7 x 162.6cm
Klaus & Clarissa, 29 palms
Billy Sullivan
Klaus & Clarissa, 29 palms, 2007
132.1 x 182.9cm
Agyness London
Billy Sullivan
Agyness London, 2009
76.2 x 55.9cm
Christian 1.21.08
Billy Sullivan
Christian 1.21.08, 2016
76.2 x 55.9cm
John Green Socks 1
Billy Sullivan
John Green Socks 1, 2010
76.2 x 56cm
Celia Cruz
Billy Sullivan
Celia Cruz, 1992
33 x 24.8cm
Patricia 2.17.09
Billy Sullivan
Patricia 2.17.09, 2009
76.2 x 55.9cm
Naomi
Billy Sullivan
Naomi, 1996
25.4 x 35.6cm
David #1
Billy Sullivan
David #1, 1998
36.2 x 26cm
Jackie Curtis 3
Billy Sullivan
Jackie Curtis 3, 2013
30.5 x 45.7cm
Jane Car  #2
Billy Sullivan
Jane Car #2, 1971
151.61 x 101.63cm
Clarissa, East Hampton,
Billy Sullivan
Clarissa, East Hampton,, 1982
129.03 x 85.5cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

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