Macchina Inutile

Bruno Munari

Macchina Inutile, 1934253 x 31cmSign in to view price
Details
MaterialGallery
varnished and silkscreen printed birch plywood, cord and stoneKaufmann Repetto
Description
Human-crafted. AI-refined.

This contemporary artwork features a vertical mobile-like structure with various geometric shapes and forms. The color palette consists of green, gray, pink, and brown tones, creating a minimalist and abstract composition. The shapes include half-circles, stripes, and circular elements, arranged in a balanced and symmetrical manner. The overall style reflects a modernist aesthetic, using simple geometric shapes and a limited color scheme to explore concepts of form, space, and movement. The artist's intention may be to evoke a sense of harmony, balance, and visual rhythm through this minimalist sculptural piece. ...

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Artist
Bruno Munari
B.1907

Bruno Munari was born in Milan, Italy in 1907 and was died in 1998. He began his career at an early age during the second wave of Italian Futurists. In the years following, he progressively moved away from the influence of Futurism, developing an extremely personal and singular project over the course of 60 years. In 1930, he produced the Aerial Machine, from which came his Macchine Inutili (Useless Machines), anticipating his interest in the deconstruction of the traditional work of art. ...

Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

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