In her practice, Danielle Fretwell (b.1996) navigates the space between traditional memetic painting and automatic processes, employing a dialogue of invitation and dissuasion within the realm of the image to question the social construction of truth. The core of her work lies in the presentation of ‘veils’, each serving as a deliberate obstruction that challenges the viewer's access to a world conscious of its own aestheticism. These veils, differing in form, act as visual hindrances that obscure and conceal information. By presenting her own mirage of truth, Fretwell invites viewers to critically engage with the presented imagery and ultimately shape a personal understanding of what lies beneath the veil.
Fretwell’s preoccupation with the aesthetic nature of her subjects is drawn upon through her interests in 17th century still-life painting. Objects that beg for our attention, suspended in time, making their vanity permanent. These polished atmospheres are meant to lure the viewer in, furthering a narrative around deception in painting. The artist's interest in the exploration of deception within the medium mirrors her own experience of navigating a world steeped in uncertainty. Thus, the veils in Fretwell's work not only echo the caution required in living in a media-saturated domain but also serve as a metaphor for the complexities inherent in identifying what is ‘true’. She advocates for a discerning approach to information consumption in a climate where scepticism is required. Within her still-life paintings, Fretwell deliberately exposes sections of the image that are otherwise covered. This intentional unveiling becomes an act of her own sincerity, reinforcing the notion that, despite the layers
of distortion in our surroundings, a genuine truth exists beneath the surface.
The abstracted works, particularly, play a nuanced role by presenting an irony – the formal appearance of fabric concealing the subject was created using fabric. Here, Fretwell employs the technique of layering thinned paint over a rendered still-life to deliberately obscure parts or the entirety of the image. Subsequently, she presses bed sheets, foam, or other absorbent materials into the thinned paint,
leaving behind a trace of the object imbued with its unique texture. This layering, reminiscent of both concealment and transparency, mirrors the dance between perception and reality and creates a
measured tension between immediacy and prolongation. To further complicate the viewer’s understanding of the image, intricately painted details, such as stitches and seams, are added to the
seemingly abstract areas resulting in mysterious trompe l'oeil. This controlled intervention serves to guide the work back into the realm of descriptive painting. In this synthesis of control and subversion, Fretwell's practice becomes an exploration of the boundaries between intention and chance, truth and illusion. ...
Alice Amati is a contemporary art gallery established in London in June 2023. The gallery is committed to fostering artists at the early stages of their career by often providing the opportunity for their first solo show in the city and a supportive context for artistic explorations and career development.
Concerned with encouraging transnational dialogues around topical questions within society and art, Alice Amati brings together British and International artists through a challenging, experimental and rigorous exhibitions programme.
Joining a cohort of young and established galleries in the burgeoning artistic scene of Fitzrovia, Alice Amati operates as a platform for new voices in the contemporary global artistic scene with a strong commitment to research, collaboration and diverse practices. ...
