La noche (no) es muda
La noche (no) es muda

Erik Tlaseca

La noche (no) es muda, 2018Sign in to view price
Details
Material
stills
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking visual composition set against an urban landscape. The image is dominated by a large, nude sculptural figure standing on a set of railroad tracks, surrounded by lush greenery and modern buildings in the background. The muted color palette, with shades of beige and gray, creates a contemplative and somewhat melancholic atmosphere. The large, imposing figure, with its minimalist and abstract form, appears to serve as a symbolic representation, inviting viewers to ponder the relationship between the individual and the urban environment. The artist's intention may be to explore themes of human existence, social displacement, or the juxtaposition of nature and industrialization within a rapidly changing metropolitan landscape. ...

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Erik Tlaseca
Artist
Erik Tlaseca
B.1989, Mexican

Erik Bernado Tlaseca Gaona (Mexico, CDMX, 1989) Interdisciplinary visual artist. His work addresses themes that arise from unattainable memories and images that touch on territorial transformations and changes in identity. He studied Plastic and Visual Arts at the ENPEG "La Esmeralda". In 2017 he was part of the Photographic Production Seminar of Centro de la Imagen. In 2014-2015 and 2018-2019 he was the recipient of the FONCA Young Creators scholarship and between 2019 and 2020 he was part of the BBVA - MACG grant program. He has done artistic residency programs at Motel Spatie, Holland, at WRO Art Center, Poland, and at KUNCI Cultural Studies Center, Indonesia, as well as participated in various group exhibitions, including the Jakarta Biennial in Indonesia. He is a founding member of the Cooperativa Cráter Invertido, Zungale, Taller de Producción Editorial. ...

Erik Tlaseca: Artworks
La noche (no) es muda
Erik Tlaseca
La noche (no) es muda, 2018
Algún día llegará la noche (isla)
Erik Tlaseca
Algún día llegará la noche (isla), 2018
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