And He Said He Ain’t Goin’ Back (Ruben, Shreveport)

Glen Wilson

And He Said He Ain’t Goin’ Back (Ruben, Shreveport), 2022289.6 x 188 x 10.2cmPrice on Request

Details

MaterialGalleryLocation

steel, chain link mesh, uv print on synthetic resinVarious Small FiresLos Angeles

Description

Human-crafted. AI-refined.

This abstract artwork features a striking juxtaposition of geometric shapes and natural elements. The composition is dominated by a grid-like pattern of diamond-shaped panels, creating a sense of order and structure. However, the panels are overlaid with hues of yellow, green, and brown, evoking the organic textures and tones of a forested landscape. The interplay between the angular forms and the organic, distorted imagery suggests a tension between the artificial and the natural, inviting the viewer to consider the relationship between human-made structures and the natural world. The artist's intention may have been to explore the intersection of the built environment and the natural environment, challenging the viewer's perception of boundaries and boundaries. ...

Similar Artworks

Mohamed BourouissaUnknown #14, 2014Price on Request

Carolina CaycedoProtective Rolla, 202210000 USD

Darren BaderAmazon.com sculpture, 2018Price on Request

Carmen ArgoteZelda Landscape: dusk, 200712000 USD

Olga KoumoundourosFlosser, 2016Price on Request

Carolina CaycedoMaligna, 20198000 USD

Beatriz CortezThe Argonaut: after Pakal, 2018Price on Request

Candice LinA Robot Spoke What My Father Wrote, 201950000 USD

Amir H. FallahThe Greater Velocity (The Greater The Risk Of Hurt), 200725000 USD

Mohamed BourouissaUnknown #16, 2014Price on Request

Darren BadereBay Sculpture, 202022000 EUR

Kang Seung LeeUntitled (List), 2018Price on Request

Artist

Glen Wilson

1969 , American

Glen Wilson’s multi-disciplinary practice is comprised of photography, sculpture, filmmaking, installation, and assemblage. Provoking questions around voice, visibility, and cartography, Wilson’s works suggest fluid narratives of place, diaspora, cultural heritage, and the intersections of individual and communal identity.

Glen Wilson: Artworks

Glen WilsonAstral Traveling (like alter ether rhythms on Sunday breezes), 2021Price on Request

Glen WilsonOther Suns, 2019Price on Request

Glen WilsonOakwood All-Stars, 2017Price on Request

Glen WilsonBrooks Avenue (Oakwood, Venice), 2017Price on Request

Glen WilsonAfrodite (Venice, CA), 2015Price on Request

Glen WilsonConvergence (MarchAprilMay), 2020Price on Request

Glen WilsonDesert Totem, 2021Price on Request

Glen WilsonAnd He Said He Ain’t Goin’ Back (Ruben, Shreveport), 2022Price on Request

Glen WilsonElement Series No. 3 (Interstice), 2022Price on Request

Glen WilsonNAH, UR GOOD, 2022Price on Request

Gallery

Various Small Fires

Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...