And He Said He Ain’t Goin’ Back (Ruben, Shreveport)
And He Said He Ain’t Goin’ Back (Ruben, Shreveport)
And He Said He Ain’t Goin’ Back (Ruben, Shreveport)

Glen Wilson

And He Said He Ain’t Goin’ Back (Ruben, Shreveport), 2022289.6 x 188 x 10.2cmSign in to view price
Details
MaterialGallery
steel, chain link mesh, uv print on synthetic resinVarious Small Fires
Description
Human-crafted. AI-refined.

This abstract artwork features a striking juxtaposition of geometric shapes and natural elements. The composition is dominated by a grid-like pattern of diamond-shaped panels, creating a sense of order and structure. However, the panels are overlaid with hues of yellow, green, and brown, evoking the organic textures and tones of a forested landscape. The interplay between the angular forms and the organic, distorted imagery suggests a tension between the artificial and the natural, inviting the viewer to consider the relationship between human-made structures and the natural world. The artist's intention may have been to explore the intersection of the built environment and the natural environment, challenging the viewer's perception of boundaries and boundaries. ...

Similar Artworks
Hardened embrace
Carmen Argote
Hardened embrace, 2024
32 x 22 x 20cm
eBay Sculpture
Maligna
Venice Beach, The First & The Last Kiss
Amir H. Fallah
Venice Beach, The First & The Last Kiss, 2007
119 x 91cm
Untitled (List)
Kang Seung Lee
Untitled (List), 2018
353.06 x 363.22 x 91.44cm
Zelda Landscape: dusk
Carmen Argote
Zelda Landscape: dusk, 2007
34 x 49 x 7cm
Flosser
Olga Koumoundouros
Flosser, 2016
234.95 x 74.93 x 12.7cm
The Greater Velocity (The Greater The Risk Of Hurt)
Amir H. Fallah
The Greater Velocity (The Greater The Risk Of Hurt), 2007
119 x 91cm
Amazon.com sculpture
Darren Bader
Amazon.com sculpture, 2018
Untitled (William Yang_The Morning After_1976)
Kang Seung Lee
Untitled (William Yang_The Morning After_1976), 2016
366 x 244cm
A Robot Spoke What My Father Wrote
Candice Lin
A Robot Spoke What My Father Wrote, 2019
243.84 x 914.4 x 152.4cm
The Argonaut: after Pakal
Beatriz Cortez
The Argonaut: after Pakal, 2018
318 x 127 x 153cm
Glen Wilson
Artist
Glen Wilson
B.1969, American

Glen Wilson’s multi-disciplinary practice is comprised of photography, sculpture, filmmaking, installation, and assemblage. Provoking questions around voice, visibility, and cartography, Wilson’s works suggest fluid narratives of place, diaspora, cultural heritage, and the intersections of individual and communal identity.

Glen Wilson: Artworks
Astral Traveling (like alter ether rhythms on Sunday breezes)
Glen Wilson
Astral Traveling (like alter ether rhythms on Sunday breezes), 2021
124.5 x 149.9cm
Other Suns
Glen Wilson
Other Suns, 2019
148.6 x 218.4 x 27.9cm
Oakwood All-Stars
Glen Wilson
Oakwood All-Stars, 2017
188 x 106.7 x 7.6cm
Brooks Avenue (Oakwood, Venice)
Glen Wilson
Brooks Avenue (Oakwood, Venice), 2017
124.5 x 147.3 x 7.6cm
Afrodite (Venice, CA)
Glen Wilson
Afrodite (Venice, CA), 2015
121.9 x 95.3 x 6.3cm
Convergence (MarchAprilMay)
Glen Wilson
Convergence (MarchAprilMay), 2020
63.5 x 68.6 x 3.8cm
Desert Totem
Glen Wilson
Desert Totem, 2021
172.7 x 116.8 x 7.6cm
And He Said He Ain’t Goin’ Back (Ruben, Shreveport)
Glen Wilson
And He Said He Ain’t Goin’ Back (Ruben, Shreveport), 2022
289.6 x 188 x 10.2cm
Element Series No. 3 (Interstice)
Glen Wilson
Element Series No. 3 (Interstice), 2022
106.7 x 71.1 x 15.2cm
NAH, UR GOOD
Glen Wilson
NAH, UR GOOD, 2022
111.8 x 94 x 5.7cm
Various Small Fires
Gallery
Various Small Fires
Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...

Unlock Price & Inquiry Access