Arseholes
Arseholes
Arseholes

Helen Johnson

Arseholes, 202045.7 x 61cm15000 USD
Details
MaterialGalleryLocation
acrylic on canvasPilar CorriasLondon
Description
Human-crafted. AI-refined.

The artwork features a vibrant, textured composition with a prominent use of orange hues. The dominant visual elements are the gestural brushstrokes and thick layers of paint, creating a dynamic, expressive surface. The central motif appears to be stylized floral or petal-like shapes in a contrasting pale color, adding a sense of movement and energy to the piece. The overall style suggests a contemporary, abstract expressionist approach, with the artist employing unconventional materials and techniques to convey an emotive, spontaneous quality. This work likely reflects the artist's personal exploration of themes related to nature, color, and the expressive potential of the painting medium. ...

Similar Artworks
The Cloud of Unknowing III 無知之雲 III
Ho Tzu Nyen 何子彥The Cloud of Unknowing III 無知之雲 III, 201195000 USD
EARTH 此地
Ho Tzu Nyen 何子彥EARTH 此地, 2009Price on Request
Haze 25
Jemima WymanHaze 25, 2024Price on Request
First Man in Situ
Elizabeth NeelFirst Man in Situ, 2016Price on Request
Mountain of Signs, I
Lisa OppenheimMountain of Signs, I, 201719000 USD
Wilted
Julia WachtelWilted, 2018Price on Request
Untitled
Harold AncartUntitled, 2015Price on Request
385cm/600cm
Ghislaine Leung385cm/600cm, 2021Price on Request
Corn Nails
Gina BeaversCorn Nails, 2019Price on Request
Night Time (As Seen by Sim Ouch)
Latifa EchakhchNight Time (As Seen by Sim Ouch), 2023180000 EUR
Helen Johnson
Artist
Helen Johnson
1979 , Australian

Painting serves as a critical departure point for Helen Johnson’s practice, as a set of tools that work beyond language to encircle a range of contemporary issues. Her works engage a broad visual vernacular, including spasming stock market graphs, fragments of text from the bygone days of pre-mechanised mining and logging, desert islands and the layout of the Australian Parliament House. Both loaded and contextually specific, the imagery is treated with an insistently aesthetic approach, with an implicit claim for the continuing possibility of critical engagement through reflective aesthetic experience. The building up of layered surfaces is not merely a technically-driven choice, but also serves as a metaphor for some of the complexities and interplay that operate in the ongoing formation of Australian identity—including ‘the persistence of denialist accounts of colonisation, the relationship between personal and official histories, and more fleeting cultural trends that spike the mix, becoming ever present as we lean into the internet’. ...

Helen Johnson: Artworks
Conversation piece
Helen JohnsonConversation piece, 2022Price on Request
The actual
Helen JohnsonThe actual, 2022Price on Request
Small pool (patience)
Helen JohnsonSmall pool (patience), 2022Price on Request
Sorry and thankyou
Helen JohnsonSorry and thankyou, 2022Price on Request
Arseholes
Helen JohnsonArseholes, 202015000 USD
Pilar Corrias
Gallery
Pilar Corrias
London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...