This vibrant street art piece features a striking contrast between the abstract, organic floral shapes and the bold, expressive black outlines. The composition is dynamic, with the looping, overlapping petals creating a sense of movement and energy. The color palette combines vivid pinks and greens, infusing the artwork with a lively, playful spirit. The artist's distinctive use of line work and spontaneous brushstrokes suggests an improvisational, graffiti-inspired style, reflective of the medium's streetscape origins and the artist's desire to bring art to public spaces. ...
Hoda Kashiha (b. 1986, Tehran, Iran) is a graduate of Painting from the University of Tehran (BA, 2009) and Boston University (MFA, 2014). She received the Esther B. and Albert S. Kahn Award; the Howard Gotlieb Archival Research Center Rare Book Prize; the Iranian Association of Boston Scholarship; and the Boston University Women’s Council Scholarship. She was a fellow at MacDowell Colony, Virginia Center for Creative Arts, and received the Joan Mitchell Foundation Grant at Vermont Studio Center.
Works of Hoda Kashiha bounce between everyday life and the imagery she sets out to produce. The artist meets with difficult moments in her personal and political life through non-linear narrative, dark humor, and mythological, religious, and modern icons. Drawing references ranging "from Malevich to Instagram," she composes her fragmented narratives. Kashiha uses digital tools to draw an artwork and then construct it on canvas, layer upon layer. Nevertheless, this way of fragmenting motifs deals with major contemporary subjects found everywhere, such as gender issues. The body plays a vital role in many of the artist’s works. Through the body, she relates to the world, becomes aware of her desires, and constructs an identity. Drawing the body projects her personal life and the external world. Interestingly in man and woman interaction, she uses various tools (airbrush, i-Pad, stencil) and subjects (body fragments, geometric abstraction) that affect an ambiguity that separates traditional definitions of male-female, resulting in gender fluidity. ...
Dastan features an extensive and multi-dimensional program focusing on the full spectrum of Iranian contemporary and modern art. Dastan's program includes Dastan's Basement, +2, ParallelCircuit, Zaal Art Gallery, and Dastan:Outside. In addition to hosting exhibitions, Dastan publishes artist books and monographs on Iranian art, features film screenings, performance projects, and other events. Dastan's original space, Dastan’s Basement, was established in 2012 in Tehran, Iran. The Basement is dedicated to exhibiting emerging and cutting-edge Iranian art. +2 is a gallery launched by Dastan in 2015. This space showcases established Iranian artists and masters. Parallel Circuit aims to open the way for artists standing at the interstices of based and experimental art. Zaal Art Gallery is an international gallery in Ontario, Canada. The gallery provides an engaging and immersive space for both enthusiasts and professionals. Since opening its primary space in 2012, Dastan has continuously hosted pop-up curated exhibitions around the city of Tehran under the title Dastan:Outside. ...
