Em terra (Inland)
Details
Material
film 8mm
Description
Human-crafted. AI-refined.

The artwork presents a vibrant, monochromatic scene in shades of red. The composition features a prominent fountain in the center, surrounded by lush greenery and trees. The overall visual impact is striking, with the intense red hue creating a surreal and dramatic atmosphere. The artist has employed a distinctive technique, likely photographic, that heightens the vivid and almost otherworldly quality of the image. The context suggests this work may explore themes of nature, environment, or the interplay between natural and man-made elements in a contemporary setting. ...

Similar Artworks
Untitled
Juha Pekka Matias LaakkonenUntitled, 2017
24 x 3.5 x 3cm
Sea to C, RR,
Alvaro BarringtonSea to C, RR,, 2023
257 x 298 x 18cm
Untitled
Juha Pekka Matias LaakkonenUntitled, 2015
45.8 x 17.8 x 19.5cm
Untitled
Juha Pekka Matias LaakkonenUntitled, 2017
18 x 64 x 25cm
Untitled
Juha Pekka Matias LaakkonenUntitled, 2017
68 x 31 x 28cm
Untitled
Juha Pekka Matias LaakkonenUntitled, 2017
32 x 32 x 4cm
Ludwig
Diego MarconLudwig, 2018
33 x 49 x 179cm
Untitled
Alvaro BarringtonUntitled, 2025
212 x 272 x 8cm
Ledger
Jesse DarlingLedger, 2022
70 x 50cm
Untitled
Juha Pekka Matias LaakkonenUntitled, 2015
26.2 x 9 x 9cm
Em terra (Inland)
Artist
Janaina Wagner
B.1989

Janaina Wagner works in video, photography, drawing, installation and scenography. The Brazilian artist is interested in the ways humans impose structures of control and order upon the environment. Frequently appropriating found footage and materials, Wagner depicts post-apocalyptic scenes, images of dark, gloomy forests and bizarre man-made structures. An example of the latter is the film, Ventura (2018), which documents a gigantic elephant that is a tourist attraction in Nantes, France, that celebrates Jules Verne’s death anniversary. In her 2018 film Licantropia, Wagnerfollows a modern-day Werewolf, a hybrid being that is historically blamed for its animalistic nature. Wanger’s work, however, shows how it is the man and his violent control that is at the core of the darkness associated with the creature. Mythology is strongly present across the artist’s practice. For instance, the Curupira, a Brazilian mythical creature that lives in and protects the forests, is a starting point in her research into deforestation in Brazil. Existing at the intersection of fiction and reality, Wagner’s works challenge human domination and give space to that which is natural. ...

Unlock Price & Inquiry Access