The artwork depicts a nude figure standing on a wooden chair, with arms raised and appearing to be in a state of contemplation or reaching upwards. The image has a warm, sepia-toned color palette, creating a dreamlike and introspective atmosphere. The overall composition is visually striking, with the figure's elongated, contorted pose and the stark contrast between the human form and the simple wooden chair. The artwork seems to explore themes of the human body, vulnerability, and the relationship between the physical and the spiritual. The distinctly artistic style and unique perspective suggest an intention to evoke a sense of contemplation and introspection in the viewer. ...
Amanda Wilkinson opened her gallery in November 2017, having been a partner in Wilkinson Gallery, and brought with her the artists that she had worked with since 2003. Most of these internationally renowned artists had their first solo UK exhibition at the gallery: Joan Jonas and Shimabuku in 2004, Sung Hwan Kim in 2007, Jimmy DeSana in 2009, and Laurie Simmons in 2011. The program has also introduced younger artists such as Heman Chong, Phoebe Unwin, Dorota Gawęda and Eglė Kulbokaitė all of whom have solo exhibitions in public institutions this year. Amanda Wilkinson is a trustee of the Derek Jarman Estate and is the sole gallery who represents the work. The program continues to highlight key historical artists who are little known to the wider art world, including Paolo Gioli, Ketty La Rocca and Margaret Raspé and will introduce new artists to the program in 2020 in keeping with the gallery’s experimental and cross-generational approach. The gallery has presented four Feature booths at ArtBasel in the past , featuring six artists from the program. Eight out of the twelve artists represented by the gallery had solo museum exhibitions in 2019/2020. ...
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