Kawita Vatanajyankur
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The artwork presents a striking visual contrast, with a vibrant red-tiled floor juxtaposed against the vivid teal background. The central focus is a disembodied hand gently washing a small, faceless object, suggesting a symbolic representation of cleansing or purification. The bold, geometric patterns and the use of primary colors evoke a minimalist aesthetic, while the surreal placement of the washing scene creates a sense of discomfort and unease. The artist's intention may be to challenge the viewer's perception of everyday domestic tasks and explore themes of anonymity, ritual, and the human condition. ...
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In her performative videos Kawita's Vatanajyankur transforms her body into a site upon which issues of labour, feminism, oppression and consumerism are thoroughly interrogated and challenged. Vatanajyankur undertakes various repetitive and strenuous tasks, turning herself into mechanical tools and domestic objects as she pushes her body to its limits as a testament to human capabilities and female resilience. Drawing from a globalized and digitally networked visual language of consumption and instant gratification, her videos bears semblance to bold and colourful commercial advertisements, only breaking away from their similarities within her constantly recurring moments of physical and emotional discomfort; the result is a bodywork that is as strikingly compelling as it is uncomfortable to witness. ...
Nova Contemporary aims to cultivate the exchange of Thailand’s contemporary art and culture to Southeast Asia and beyond. They pride themselves on showcasing both established and emerging artists through a diverse programme of exhibitions and events – with a primary focus on exceptional Thai artists. They hope to bring art education to the general public and contribute to Thailand’s ever growing, vibrant art community.