Sans titre #1 '(Diptyque)

Kura Shomali

Sans titre #1 '(Diptyque), 2013110 x 75cmSign in to view price
Details
Material
encre de chine, gouache, stylo rotring, encre à dessin sur papier canson
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a vibrant and dynamic composition, with a central figure depicted in a collage-like style. Bursts of color, shapes, and textures create a sense of movement and energy. Subject Matter: The central figure is a stylized human form, with distinctive features such as star-shaped eyes and a gestural, expressive pose. Artistic Style and Technique: The artwork employs a mixed-media approach, combining elements of painting, collage, and abstract expressionism. The bold use of color, fragmented shapes, and gestural brushstrokes contribute to an overall sense of spontaneity and creative exploration. Context: This contemporary artwork reflects the artist's exploration of themes related to identity, self-expression, and the human experience, capturing a sense of dynamism and personal transformation. ...

Colonel Crochet
Artist
Kura Shomali
B.1979, Congolese

Kura Shomali’s work is instantly recognizable for its dynamic lines, ink splashes, and vibrant energy, reflecting the bustling, chaotic life of Kinshasa that inspires him at every turn. His practice captures the city’s rhythm and disorder, translating its sounds, movements, and textures into vivid, layered visual compositions. Although he has experimented with video, installations, puppetry, and found materials, Shomali ultimately refined his signature style through drawing. Working primarily on paper, he combines gouache, ink, felt-tip pens, charcoal, and collage, creating pieces with distinctive textures and a lively, expressive quality. His early drawings, made with urgency and immediacy, drew inspiration from the circulation of hand-to-hand magazines and the energetic pulse of the city, embodying Kinshasa’s vibrant megacity life. In recent works, Shomali reinterprets iconic images from African photographers such as Samuel Fosso, Malick Sidibé, and Jean Depara, infusing them with humor and a contemporary perspective. He also continues to create puppets from found objects, animating them in videos to comment on corruption, conflict, and social issues, blending critique with playfulness. Across the media, his work combines spontaneity, satire, and observation to portray the vitality, contradictions, and resilience of contemporary Congolese life. ...