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"MIKE (Memory Ware) 5" by Ligia Dias features an assemblage of chains, beads, and eclectic objects hanging from a rectangular frame, creating a dynamic visual tapestry. Elements like feathers and jewelry pieces suggest themes of memory and adornment. The piece exemplifies a bricolage style, using found objects and mixed media to evoke personal and collective histories. Dias' work often critiques overproduction, blending high and low-value materials to explore materiality and artistic lineage. This artwork reflects her interest in appropriation and transmission, questioning the traditional function and value of objects. ...
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Ligia Dias develops a creative practice at the intersection of art, design, and fashion, creating both functional and non-functional objects that explore the relationships between materials, processes, and authorship. Her work blends standard materials from hardware and jewelry stores, remnants of her own production, and found objects, often transforming them into objects that question overproduction and the value assigned to materials. Central to her practice is the concept of appropriation and transmission, where objects pay homage to influential artists, designers, or figures from her personal and artistic circles. By repurposing materials and integrating artisanal techniques without seeking mastery, Dias elevates both precious and non-precious elements, highlighting their aesthetic and conceptual potential. Her installations and sculptural works, including chairs, stools, and mirrors, engage in spatial dialogues that reflect on the functionality and symbolic meaning of objects. Through this approach, Dias explores the balance between production, memory, and cultural reference, creating pieces that merge poetry, critique, and historical consciousness. Her work consistently interrogates the life of objects and the role of the artist as a producer, offering new perspectives on materiality, reuse, and artistic lineage. ...