Crying for the ants
Crying for the ants
Crying for the ants
Crying for the ants

Lowena Hearn

Crying for the ants, 202495 x 94.5 x 23.5cm3500 GBP
Details
MaterialGallery
oil on board, silk, wire, plaster, waxThe approach
Description
Human-crafted. AI-refined.

The artwork features a surreal landscape with a nude figure draped over a large, dark form. The colors are muted, with a predominant blue and green palette, while the figure is rendered in pinkish tones. The composition is balanced, with the central figure and the dark form creating a sense of tension. The artist employs a distinctive style, blending realism and expressionism to create a dreamlike, symbolic scene. This work likely explores themes of the human condition, mortality, or the subconscious mind. ...

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Lowena Hearn: Artworks
Crying for the ants
Lowena HearnCrying for the ants, 20243500 GBP
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...