Malo Chapuy
Details
Description
Human-crafted. AI-refined.This artwork features a vibrant and dynamic composition. The predominant colors are bold reds, browns, and blacks, which create a striking contrast against the white and black silhouetted trees in the background. The central focus is a group of figures on horseback, creating a sense of movement and energy. The intricate details and patterning in the foreground and background suggest a skilled use of technique, likely through the use of painting or collage. Overall, the piece appears to depict a lively, almost fantastical, scene that may reference historical or mythological themes. ...
Malo Chapuy: Artworks
mor charpentier
Paris, BogotáEstablished in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...