Michael Fullerton constructs multi-media works that blend painting, printmaking, and sculpture, probing the ways information is recorded, transmitted, and interpreted. His materials and methods often directly reference the tools and technologies of communication, such as newsprint or videotape, while his portraits have depicted social commentators such as the late John Peel. While associations are far-reaching, Fullerton's works collectively form an ongoing investigation into the relationship between subject, aesthetics, and creative process. His works often depict contemporary figures whose lives are entangled with complex political histories. These subjects range from individuals involved in high-profile legal cases to those associated with political scandals, challenging traditional notions of portraiture and prompting viewers to consider the narratives and power dynamics embedded within these representations. In addition to painting, Fullerton's practice encompasses printmaking, sculpture, and film, allowing him to explore the dissemination of information and its impact on public perception. His printmaking, often modeled on political protest posters, serves as a medium to delve into the concept of the 'public domain,' examining how visual symbols and aesthetics function within public and private spheres. Through his work, Fullerton invites a critical examination of how individuals are portrayed and how these portrayals reflect broader societal structures and power relations. His art serves as a platform for dialogue on the complexities of identity, representation, and the politics of visibility. ...
Founded in 2011, Kendall Koppe is a Glasgow-based gallery committed to championing under-represented voices in contemporary art, with a particular focus on queer and female artists. The gallery fosters a space where personal narratives intersect with broader cultural, historical, and social contexts, while also advocating for Scotland’s role in the international visual arts landscape.
